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The moon occupies a special place in Japanese society, one that Anne Sefrioui’s book, La lune par les grands maîtres de l’estampe (‘The Moon by the Great Printing Masters’), seeks to examine. This set, made up of a leporello, an accordion-style book that can be folded and unfolded, and an explanatory booklet, offers a comprehensive overview of this star that appears at the boundary between day and night, reflecting light from the sun.

There is even a festival in its honour, o-tsukimi, which is celebrated between mid-September and the start of October. Families and friends gather to gaze at this star when it is full and when it is at its brightest all year. In the East, the moon does not have a reputation for melancholy as it does in the West. In Japan, it is a sign of prosperity, fertility and an abundant harvest. 

This book also showcases the work of 19th-century printing masters, such as Katsushika Hokusai and his Twenty-eight Moonlight Views, A Red Plum Branch against a Summer Moon by Utagawa Hiroshige and Full Moon at Arakawa River by Kawase Hasui, and offers an overview of how these artists portrayed this white star. The reader discovers many and varied lunar references: a family gathered outside for o-tsukimi, men reciting poetry as was customary during the Heian era when the ceremony in celebration of the moon was reserved for the aristocracy, and scenes featuring rabbits, an iconic animal that, according to legend, lives on the moon, with a hammer in hand, making mochi. 

Autumn moon, a moon of farewells or an indecisive moon, La lune par les grands maîtres de l’estampe invites the reader not only to gaze at this celestial body, but also to immerse themselves in the mythology and beliefs that surround it, and to take the time to admire nature, to which its pale light adds a new depth. 

La lune par les grands maîtres de l’estampe (‘The Moon by the Great Printing Masters’) (2020) , a book by  Anne Sefrioui published by éditions Hazan (not currently available in English) . 

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